berlin school movement

est. 2000s – now

The Berlin School Movement of the 2000s can be seen as an evolution of the broader landscape of German cinema, with its roots tracing back to the 1990s. The movement emerged in a post-reunification Germany, marked by societal changes and a shifting cultural and political landscape.

Origins of the Berlin School Movement

The fall of the Berlin Wall in 1989 and the subsequent reunification of East and West Germany led to a period of significant social and cultural transformation. Filmmakers of the Berlin School, in response to these changes, wanted to explore the complexities of the new unified Germany and the impact of historical events on individual lives.

 

The Berlin School can be seen as a continuation of the German filmmaking tradition, drawing inspiration from earlier films and movements like the New German Cinema of the 1960s and 1970s, while embracing a more restrained and minimalist approach.

 

Many filmmakers associated with the movement, including Christian Petzold and Angela Schanelec, studied during the 1990s at the Deutsche Film und Fernsehakademie Berlin (DFFB), arguably the country’s most intellectual film school, and were taught by avant-garde and documentary filmmakers Harun Farocki and Hartmut Bitomsky. The film school environment provided a space for creative exploration and collaboration, contributing to the development of a distinct filmmaking style.

Berlin School Movement - The Dreamed Path (2016) by Angela Schanelec
The Dreamed Path (2016) by Angela Schanelec
In the Shadows (2010) by Thomas Arslan
In the Shadows (2010) by Thomas Arslan

Characteristics of the Berlin School Movement

While not strictly defined by a set of rules or manifestos (like Dogme 95), films associated with the Berlin School share certain aesthetic and thematic elements. Their films often exhibit a minimalist approach to storytelling. The narrative structures are typically subdued, focusing on the everyday lives of characters. The movement tends to avoid traditional plot-driven elements in favor of a more contemplative storytelling, using long takes and moments of stillness as a stylistic choice.

 

The Berlin School frequently engages with social and political themes, reflecting a critical perspective on contemporary German society. Issues such as post-reunification challenges, societal dynamics, and historical legacies are commonly explored.

 

Many of the filmmakers strive to capture the search for new identities in a reunified nation, usually center on characters grappling with the challenges of adjustment amid societal transition. Interestingly, the majority of directors are from the former West, while many of the narratives focus on the Easterners who were more directly confronted by the collapse of their society.

Phoenix (2014) by Christian Petzold
Phoenix (2014) by Christian Petzold

Important Filmmakers and Films

A key figure in the Berlin School movement, Christian Petzold is known for his minimalist and emotionally restrained filmmaking. His films often explore themes of identity, displacement, and the impact of historical and social forces on individuals. Some of the notable works include “Barbara” (2012), and “Phoenix” (2014).

 

Films of Angela Schanelec, like “The Dreamed Path” (2016), are characterized by their contemplative pacing, elliptical narratives, focusing on everyday life. Her work often invites viewers to reflect on the nuances of the complexities of human behavior.

 

While not always categorized as part of the Berlin School, Maren Ade has been associated with the movement for her focus on character-driven narratives and keen observations of human relationships. Her film “Everyone Else” (2009) garnered international acclaim for its intimate portrayal of a couple’s dynamics.

Everyone Else (2009) by Maren Ade
Everyone Else (2009) by Maren Ade

Legacy of the Berlin School Movement

The Berlin School has contributed to the diversification of German cinema, offering an alternative to more mainstream styles. Films associated with the movement gained international acclaim, contributing further to the global recognition of German cinema. Directors like Christian Petzold, Angela Schanelec, and others became fixtures at major film festivals like Berlin Film Festival, and their work received attention from critics and audiences worldwide.

 

It’s worth noting that the legacy of the Berlin School may continue to evolve. As with any artistic movement, its significance can be understood through ongoing critical analysis and examination of its continued relevance in the cultural and cinematic landscape.

Please refer to the Listed Films for the recommended works associated with the film movement.