anais in love review
film by Charline Bourgeois-Tacquet (2021)
Anaïs is a free-spirited young woman with commitment issues living in France. Her flawed understanding of love quickly reveals itself in her musings that being in love would automatically mean happiness.
Review by Aaron Jones | November 06, 2024
Her search for intimacy exposes an eccentric, scatterbrained person lacking essential social skills, yet possessing a certain aloofness that often sends her relationships and responsibilities spiraling out of control. I found her to be a fascinating, Rohmer-esque character study, though my focus remained on Anaïs herself, as her romantic pursuits felt secondary to her compelling personality.
A superbly unapologetic look at a genuinely unorthodox character who appears morally bereft or untroubled by principles, at times exhibiting traits of an antisocial personality, so finely woven into a love story that I was left unsure at times if it was by design. Finding herself in love for the first time with a woman who is knowingly the wife of her lover and twice her age, and only arriving there through lies and manipulation behind her lover’s back in order to cross paths with his wife, whom, until recently, Anaïs referred to as a “slut” before ever meeting her.
Anaïs only begins to feel an emotional connection with this woman after reading her writings, yet her actions are driven more by self-interest than by a genuine desire for a mutual relationship. Anaïs is so consumed by her own experiences that she appears unable to imagine anything outside of that experience or how it impacts others in the process, while seeming emotionally unstable, like an exposed nerve that functions solely from reactionary responses. Her inability to understand that love is not just thinking you are in love, or feeling it momentarily, but building intimacy and trust in a mutual relationship devoid of ownership, explains her shock when she is rejected by the person she has chosen to love.
There was more than one moment when I felt Anaïs was on the verge of inflicting physical harm onto others, dissolving predictability and anticipating a complete tonal shift in the film. While these foresights never materialize, they only deepen the intrigue, portraying a character whose randomness and organic nature enhance her realism. None of these reactions and observations are criticisms, as I frequently find unlikable characters interesting to observe, especially when the filmmaker is not trying to manipulate you into feeling one way or another about a character but just to observe and watch. It is that aspect of the writing which I felt only strengthened this unassuming film about a young woman’s relationship with being desired and her own desires.
Author
Reviewed and published by Aaron Jones. Based in California, he developed a passion for film from a young age and has since viewed over 10,000 films. Curently serves as a film critic at CinemaWaves, he has contributed to other publications as well. Feel free to follow him on Instagram and Letterboxd.
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