inés cases-falque
In-House Writer | Blogs: 4 | Instagram | Letterboxd
A passionate film academic, writer, and cinephile who has contributed as a writer to blogs and film journals since her graduation. A founder, writer, and leading editor for Lancaster University’s CUT TO Film Journal, she mainly takes interest in the French New Wave, Nordic cinema, Japanese horror, and post-Franco Spanish political cinema.
Written by Inés Cases-Falque | Sep 09, 2025
In the 90s, fear was defined by excessive gore, dark settings, and monsters in masks that chased their often-adolescent victims around their white-picket lawns. American cinema was experiencing a golden era in horror films, and the appeal for studios was evident; horror...
Written by Inés Cases-Falque | Aug 07, 2025
Love has never been easy to define, even less so on the silver-screen. Since the beginning of cinema, the feeling has become synonymous with melodramas, period pieces, and rom coms. Surging love stories and yearning protagonists are entangled with the concept of ‘love’...
Written by Inés Cases-Falque | Jul 11, 2025
In The Beaches of Agnès, there is a scene in which Agnès Varda looks down the lens of her camera, straight at her audience, and says: “If we opened people up, we’d find landscapes. If we opened me up, we’d find beaches.” This quote resonated within her work for decades...
Written by Inés Cases-Falque | Jun 18, 2025
Jacques Demy appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their visual style, which drew upon diverse sources such as classic Hollywood musicals, the...